Prime Video Bus Advertisement and Escalated Harassment

On Monday, 6 October 2025, at approximately 11:46 am, while walking outside, I observed a bus drive past with a large Prime Video advertisement. The advert promoted three shows, each of which appeared carefully selected to serve multiple purposes of harassment, intimidation, and degradation:

1. Mission Impossible (starring Tom Cruise)
– The title appeared to mock my ongoing legal fight, as if to suggest that my “mission” to stop the abuse and exploitation is impossible.
– Tom Cruise is also known for being estranged from his daughter, paralleling my own situation, since I have not seen my daughter since she was about 11 years old.
– The name “Tom” also echoes a man whose name I uttered during private, intimate moments in my former Putney flat. This suggests that the Defendants have not only illegally recorded me via hidden cameras but also captured audio, further compounding the sexual exploitation and humiliation. This forms part of their pattern of intentional infliction of emotional distress, deliberately reminding me of the most degrading violations.

** If you’ve been to my Putney flat between 2013 and 2024, your privacy has likely been violated via hidden cameras as well. **

2. The Handmaid’s Tale
– This show portrays women reduced to reproductive slavery in a dystopian society. The reference aligns with how I have been treated through cybersex trafficking and sexual exploitation, being surveilled, controlled, and degraded against my will.
– This is further tied to Article 4 of the Universal Declaration of Human Rights, which prohibits slavery and servitude. The harassment explicitly mirrors this principle, mocking my position as if I were held in a form of servitude.

3. Dexter: Resurrection
– This show is about a serial killer, violence, and death. Its placement appeared to be a hidden death threat, consistent with the repeated intimidation and implied threats I have been subjected to (e.g., imitation firearms, poisoning incidents, and incitement to suicide).

The time of 11:46 am was itself symbolic:
– “11” consistently refers to my daughter, suggesting the abuse and intimidation extend to her.
– “4” links to Article 4 of the UDHR on slavery.
– “6” once again implies “sex,” consistent with the Defendants’ sexualised harassment tactics.

Later that day, at approximately 5:40 pm, I went to the laundry room to collect my clothes. On my return, I observed a housemate standing near the entrance pretending to check his mail. He was shirtless, wearing only shorts, and turned around to say “hello” to me. This was the first time I had seen him without a top. Given the timing and context, it is highly likely that he had been instructed by the Defendants to sexually harass me, consistent with previous escalations in sexual harassment following my documentation of related incidents.

This demonstrates a pattern of escalation: every time I document the harassment in legal materials, the perpetrators retaliate by intensifying the abuse, often in sexualised forms.

I have also noticed that buses with Prime Video advertisements showing these exact shows appear to pass me almost every time I go out, suggesting deliberate targeting. This mirrors the broader harassment pattern whereby films, imagery, text, language, and music are systematically used to convey secret messages and insults, packed with multiple layers of meaning for maximum impact.

This case therefore goes beyond voyeurism and misuse of private information. Typical offenders do not repeatedly remind their victims of the abuse. The persistence, orchestration, and symbolic layering of these acts point instead to a campaign of premeditated hate crime, deliberately designed to humiliate, intimidate, and cause me psychological harm by repeatedly reminding me of the abuse, the violations of my privacy and human rights abuses. Importantly, the use of number “11” repeatedly links the abuse to my daughter, which strongly suggests she is being targeted as well.

Thus, their campaign of harassment extends beyond direct surveillance and dissemination of private materials to include highly targeted psychological torment, directly leveraging illegally obtained confidential information. I therefore believe they have consistently monitored my private communications and legal documentation. As evidence of this, I privately recorded within my confidential legal notes some time ago, which were not shared with any third party at the time, the deeply personal and distressing fact that I have not seen my daughter since she was approximately 11 years old. 

Subsequent to this private entry, I have been subjected to a sustained and deliberate pattern of harassment specifically incorporating the number ’11’. This pattern includes, but is not limited to, the receipt of electronic communications where the timestamp or content prominently features the number ’11’, the scheduling of appointments at 11:00 AM or PM, and veiled or explicit references to the alleged exploitation of my daughter via the hidden cameras, frequently contextualized with the number ’11’. This conduct is not random or coincidental; it constitutes a calculated and malicious exploitation of stolen private and sensitive information, designed to inflict maximum emotional distress and psychological anguish upon me!

Their actions in this regard demonstrate a clear intent to weaponize my personal vulnerabilities, to cause severe mental suffering, and to actively impede my ability to concentrate on and effectively prepare my legal case. This specific form of harassment constitutes a further breach of my right to privacy, a violation of the Protection from Harassment Act 1997, and an act of malicious communication under the Malicious Communications Act 1988, exacerbating my severe emotional distress and contributing significantly to my inability to access justice effectively. I have suffered, and continue to suffer, severe emotional and psychological harm as a direct consequence of this targeted and cruel harassment.

The deliberate use of “hidden insults,” “targeted wordplay,” and the mirroring of sensitive information (number “11″) after I’ve privately identified these phrases in my legal documents is a clear tactic of psychological abuse. It’s designed to exploit my vulnerabilities, induce anger, distress, and reinforce my isolation. This aligns directly with psychological abuse tactics aimed at maximizing distress. This is consistent with the harassment techniques described by the OHCHR, which notes that “profiles are built to identify any and all weaknesses and insecurities to be used later (No. 2).” This demonstrates a calculated effort to inflict psychological harm.

Expert Confirmation: The OHCHR document explicitly describes the techniques being used against me (surveillance, building profiles to identify weaknesses, exploiting sensitivities). This provides expert confirmation that the perpetrators’ actions are recognised harassment tactics. 

Source: https://www.ohchr.org/Documents/Issues/Torture/Call/Individuals/Harrassmenttechniques.pdf

Prime Video

Instant Noodles for Dinner

Today, I am having instant noodles for dinner as usual. Because I have less than £10 left in my bank account since I have no job, which I believe due to blacklisting, reputational sabotage, or economic sanction. I must therefore be careful not to spend any money at all. Well, I have no money to spend anyway.

It’s truly shocking that they apparently force me into poverty, and at the same time allegedly steal my ideas and then leak / sell to various writers, producers, filmmakers, film production and distribution companies, advertisement agencies, and so on, to create content and make films based on my creative works, my life and my private information without me receiving anything for it, plus I have to live in poverty and cannot pursue my dream career as an actress, writer and filmmaker either due to the alleged blacklisting.

Those who write and make films seemingly based on my stolen ideas, creative works, my private and confidential information without my consent or knowledge even received recognitions, awards, and more opportunities in the Film & TV industry.

But I, the original creator, have been prevented from using my own creative works to pursue my career as a writer and filmmaker — work that could have brought me income, recognition, awards, and further opportunities. At the same time, they appear to manipulate or pressure me into taking low-paid jobs such as cleaning, caretaking, or domestic work — a clear act of discrimination and humiliation. Moreover, my access to legal representation has also been obstructed, making it even more difficult to protect my rights and hold those responsible for the infringements to account.

Is this a joke?

Instant noodles soup
Instant Noodles

How Hacker Has Hindered Me From Pursuing My Careers As A Writer and Filmmaker

Being a writer and filmmaker should mean freedom — the freedom to imagine, to create, and to express yourself. But for me, that freedom has been slowly eroded by relentless hacking and cyberstalking that have invaded every corner of my creative life.
For years, my private writing — screenplays, journal notes, personal reflections, and creative concepts — has not been safe. Whatever I write and store on my devices seems to be monitored, copied, and stolen, only to reappear in distorted or reworked forms elsewhere. Sometimes this material is clearly used to mock or harass me, echoing my own words and experiences in ways that are deeply personal and distressing.

For years, my private writing — screenplays, journal notes, personal reflections, and creative concepts — has not been safe. Whatever I write and store on my devices seems to be monitored, copied, and stolen, only to reappear in distorted or reworked forms elsewhere. Sometimes this material is clearly used to mock or harass me, echoing my own words and experiences in ways that are deeply personal and distressing.

But it doesn’t stop there. What is even more alarming is the commercial exploitation of my stolen creative work. Ideas, plots, and scenes from my writing appear to have been leaked to third parties and later used in professionally produced content — including films and media projects — without my knowledge or consent.

It feels as if my intellectual property and even fragments of my private life have been mined and repackaged for others’ profit.

This is more than a privacy violation; it’s the systematic theft of my identity as an artist. It has made it nearly impossible to pursue my career safely. Every time I begin a new project, I am haunted by the fear that it will once again be intercepted, stolen, and used against me — either to ridicule or to enrich others.

The psychological toll is immense. Writing, which once brought me happiness and purpose, now brings anxiety and mistrust. Still, I continue to fight — not just for my work, but for the principle that creative ownership and privacy are fundamental human rights. No artist should have to live in fear that their imagination will be stolen, their privacy violated, or their life turned into someone else’s story.

It’s truly devastating that I can no longer pursue my dream careers as a writer, filmmaker and actress for now. That’s why you don’t see me doing much for the moment. I was used to actively working on my screenplays, attending networking, making short films, etc. Now I have to stop doing everything and can no longer afford to pay for my webhosting http://www.buppha.com since I have no job at the moment due to possible blacklisting. I just still can’t believe that this is actually happening to me and, perhaps, my daughter as well.

They are sending a clear signal that they will continue to invade every area of my life regardless and despite pending legal actions.